Thursday, July 2, 2020

"Uncut Gems"

By Matt Duncan
Coastal View News


Netflix just started streaming the critically-acclaimed “Uncut Gems”—way ahead of normal schedule, too. What a gift. Great news, right!?

Well, let me ask: Do you like anxiety? Not like action-thriller anxiety. More like family-shouting-at-Thanksgiving anxiety. Is that your cup of tea? Not mine. Not right now. I’m working to keep my own COVID-and-world-disaster-and-annoying-kids-stuck-at-home heart attacks at bay. I’m not eager to watch someone else’s coronary for two-plus hours.

If you, on the other hand, are more worried that your blood pressure is needlessly low, thank Netflix, because they’re now streaming your cure.

Howard Ratner (Adam Sandler) is a jewelry shop owner and a gambling addict. He sells super high end stuff, then immediately bets the profits on sports. He routinely replaces a lot of cash with a lot of debt. And upset creditors. And an estranged wife (also, a moody girlfriend). He’s kind of like King Midas in reverse, except worse—surely he’d rather have ended up with an innocuous pile of straw.

Ratner’s luck seems to turn around when a much anticipated package arrives at his shop—an extremely rare, extremely big, extremely valuable Ethiopian black opal that he ordered. It is worth a fortune—maybe as much as $1 million.

Right around the same time, Boston Celtics superstar Kevin Garnett walks into his shop. Ratner is so excited about the opal and Garnett, and Garnett and the opal, that he can’t resist bringing the precious gem out. Garnett is transfixed. He wants it!

Ratner says no—he’s planning to sell it at auction. But Garnett begs Ratner to let him at least borrow the opal for the night. He thinks the gem is lucky, and he has a big playoff game coming up. Ratner reluctantly agrees, taking Garnett’s championship ring as collateral.

Ratner then pawns the ring and bets the money on Garnett and the Celtics to have a big game. Same old same old—though this time the stakes are considerably higher (both literally and figuratively).

Luckily, Ratner wins big. Or maybe not. Does he? Well, it’s complicated. And it’s cycles of excitement, confusion, anger, despair, relief, hope, excitement, confusion … Ratner scrambles to clean up his own messes while simultaneously creating more. He’s like the little Dutch boy who put his finger in the dike, except he is the one creating the holes and it’s more holes than he has fingers and toes to plug.

Hence the anxiety.

“Uncut Gems” is exhausting. It is also well acted, written, and composed. And while you might not exactly be hungry for more stress (I wasn’t), this movie and its emotional punch are also easier to get nowadays. Anxiety is familiar. Especially if you’re vulnerable. Especially if you’ve got your own issues. And especially if you feel like you live in a system that only eggs on the worst in us all.

Ratner has issues. He’s imperfect. He’s a gambling addict, impulsive, prone to anger, unfaithful, vain, and greedy. But he also tries to make things better. He tries to fix things. Unfortunately he lives in a world—the same one we live in—that lures him into risk with the thought that things could be better only to crush him with its own unrelenting, voracious greed. Ratner is annoying, but human. And while tragedy might not feel like a very appealing genre right now, it is, at the same time, undeniably a propos.