By Matt Duncan
Coastal View News
There I was, all ready to sit down with my family to
watch Disney’s new live-action version of “Mulan”. We have a subscription to
Disney Plus, so I thought we were good to go. Then, to my horror, I discovered
that it costs an additional $30 to rent it! No way! My wife pointed out that
Disney is probably losing a lot of money during the pandemic. Oh give me a
break, Disney, you’ll be fine. She also pointed out that if we went to a theater,
we would have paid at least $30. O.K., fine, whatever … I’m still not buying it.
Instead I sought out an outlet for my disgust—one that
would also lighten the mood a bit. I decided on “Get Duked!”—the newly released
British horror comedy. This movie is totally
free on Amazon Prime (if you have a membership).
And I guess “Get Duked!” is kind of like “Mulan”. Both
are coming-of-age tales—about becoming a capital-M Man—at least nominally. Though,
instead of fighting the Huns, the main characters in “Get Duked!” fight British
aristocracy. And these characters are not, hmmm, let’s say, as genteel as
Mulan. They’re pretty crass. And the swordplay is much less elegant.
These main characters are four teenage boys. Three of
them—Duncan (Lewis Gribben), Dean (Rian Gordon), and DJ Beatroot (Viraj Juneja)—are
bad kids. They’re troublemakers, miscreants, delinquents, bad seeds. The fourth—Ian
(Samuel Bottomley)—is a good kid, but too sheltered and childlike for his own
good.
What brings this motley crew together is the Duke of
Edinburgh Award. This is a trek across the Scottish highlands that teenage boys
have been doing since bygone eras as a rite of passage. Get to the end of the
trek, survive the perils of the wilderness, and you’re a Man. Or something like
that.
At first things go exactly as you’d expect. They screw
around, act like buffoons, whine and yell at each other, posture, fight, goof
off, etc.
But then they see someone. It’s a very proper looking
gentleman, adorned with fine leather boots, a handsome hunting jacket, and one
of those Scottish golfing hats. The boys are bit far off, so they can’t be
sure, but they think he sure looks like the Duke of Edinburgh.
The Duke (Eddie Izzard) also has a rifle—he’s out on a
hunt. And what the boys could be forgiven for not realizing at first is that
the Duke is hunting, not deer or pheasant or some other beast of the wild, but them.
The Duke shoots at them while taunting them with very
high-society commentary about the youth and purity and aristocracy. The Duke is
later joined by The Duchess (Georgie Glenn)—both wearing creepy masks and both
tormenting the kids.
So what starts as a coming-of-age story quickly becomes a
kind of strange horror movie involving aristocrats, and later anarchist farmers,
pagan ritualistic symbols, and zombies.
The kids do their best to fend of the foes. They have
some skills, but they’re not very bright. The local police seem to be onto
something, but they’re even more incompetent and focused on the wrong things
than the teenage boys (imagine that). So it’s sort of a race to the bottom for
this skirmish between the youth, the old guard, and the hapless police.
“Get Duked!” is fun—amusing. The kids are sometimes
annoying, but they can be boyishly charming too. And the setting—the Scottish highlands,
with kids and masked-wearing nobles, with a backdrop of freestyle rap—is a
unique set of flavors that adds some kick to the movie.
“Get Duked!” is also lazily trying to do something more—to
be a kind of commentary on Brexxit and generational politics in Britain. But
this layer of meaning is pretty limited. The movie itself doesn’t take it very
seriously (not that it should), and I couldn’t detect anything particularly
insightful there.
If I were more entertained by the antics of teenage boys, I suspect that I would have enjoyed this movie a lot more. But, I admit, I couldn’t really get into it. I guess you get what you pay for (or don’t pay for).
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